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Perspectives in the Arts and Humanities Asia

Abstract

Excerpt: At the center of the new rock opera Lorenzo is the diaspora experience, represented by two figures who live centuries apart. The premise of the story is simple enough: Laurence, an OFW on death row somewhere in the Middle East, dictates the libretto of a musical he has written about San Lorenzo Ruiz to a reporter from Manila. The “play within a play” schema juxtaposes the lives of the two characters. Their stories are interwoven into a mesh of emotional and psychological dialogues within the space of a modern musical that is potentially relevant, poignant, and aesthetically sound.

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