No. 30 (2018)
Front Matter
Front Matter
Front Matter
Editor's Introduction
Editor's Introduction
Vincenz Serrano
Regular Section
Wrestling With or Embracing Digitization in the Music Industry: The Contrasting Business Strategies of J-pop and K-pop
Jimmyn Parc and Nobuko Kawashima
Juan Mencarini and Amateur Photography in Fin-de-siècle China
Xavier Ortells-Nicolau
Kolum Kritika
A Tribute to Lulu Reyes
Jan Baetens
Parallel Growths
Joel David
Geopolitical Displacements and Populisms
Regenia Gagnier
How I Came To Be Associated with Kritika Kultura
Rajeev S. Patke
For Kritika Kultura
Antony Tatlow
Monograph
Ilustraxon: Semyotika sa Pahina at sa Piraso ng Komix
Arbeen R. Acuña
Forum Kritika on Radical Cultural Responses to Crises in Urban Democracy
Athens' Shadows
Victor Merriman
Provocation: Athens, a Work-in-Progress
Stephe Harrop
Towards a Democratic Theater: How Working Class Communities Are Excluded from Mainstream Arts and Culture
Paula Currie
Transforming Theater for the Oppressed: Community Theater as Urban Poor Discourse in Sining Kadamay's Gapok
Michael D. Pante and Leo Angelo Nery
Migrant Artists' Mutual Aid: A Short History in Images
Jennifer Verson
Democracy is Not Possible Here: A Private Argument in Public
Gary Anderson and Lena Simic
Forum Kritika on Critical Crossings: Hybridity's Fissures and Ruptures
Critical Crossings: Hybridity's Fissures and Ruptures
Maria Luisa Torres Reyes
Pelikulang Komiks: Toward a Theory of Filipino Film Adaptation
Joyce L. Arriola
Reading Carlos Bulosan/Documenting the Filipino Diaspora: An Editorial Introduction to Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan
Jeffrey Arellano Cabusao
Forum Kritika on Nick Joaquin Now: Texts, Concepts, and Approaches
Introduction: Nick Joaquin Now: Texts, Contexts, and Approaches
Gary Devilles and Jocelyn Martin
Bedeviling Quijano de Manila's Discourses of the Devil's Advocate and the Openness of Historical Interpretation
Ivan Emil Labayne
When She Started Acting Queer: A Queer Gothic Reading of Nick Joaquin's The Woman Who Had Two Navels
Miguel Antonio N. Lizada
Temporality in Nick Joaquin's The Woman Who Had Two Navels
Marie Rose Arong
The Female Monster: The Pre-Catholic Manifestation as a Response to Modern Anxiety in Selected Stories by Nick Joaquin
Tyra Delos Reyes and Xavier Selman
