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PANAWAGAN PARA SA MGA PAPEL
CFP Tagpo, Katipunan 12, blg. 2
Ariel Diccion, Jerry Respeto, PhD, at Jethro Tenorio, mga patnugotBukas na nananawagan ngayon ang Katipunan, dyornal ng Kagawaran ng Filipino, Pamantasang Ateneo de Manila, sa anumang pag-aaral sa larang ng dula at pagtatanghal partikular sa pagtatala at pagtatasa ng mga partikular na kasaysayan ng iba’t ibang organisasyong panteatro, at iba pang pagkakatatag ng mga komunidad ng mga mandudula at dulaan, kasama na rito ang artikulasyon at pagsusuri ng mga nabuo at patuloy na binubuong proseso ng tanghalan at pagtatanghal. Bukas din ang dyornal sa anumang pag-aaral sa estetika at politika ng tanghalan at pagtatanghal sa muling pagkilala at pagkritika sa pagiging dula ng dula sa gitna ng mga nangyayaring pagpapasalimuot ng pagpapakahulugan sa gawain at sining ng pagtatanghal.
Bukas ang pagtanggap ng papel hanggang sa ika-30 ng Setyembre 2024.
Ipasa ang papel nang sumusunod sa gabay sa estilo ng MLA, sa paggamit ng nakapanaklong na sanggunian at talasanggunian, na may kalakip na maikling bionote at abstrak ng papel. Matatagpuan ang kompletong alituntunin sa pagpasa ng papel sa website ng Katipunan sa https://archium.ateneo.edu/katipunan/policies.html#whatcansubmit
Maaaring ipadala ang mga ipapasang papel sa katipunan@ateneo.edu bilang Word file.
PANAWAGAN PARA SA MGA LAHOK
The Ateneo Art Gallery and the Kalaw-Ledesma Foundation, Inc., now welcomes entries on the theme of Fluctuation for the 11th year of the Ateneo Art Awards Purita Kalaw-Ledesma Prizes in Art Criticism.
SUBMIT ENTRIES AT https://go.ateneo.net/PKL2024Entry
ON OR BEFORE 30 June 2024, SUNDAY 11:59pm
View the full guidelines at pkl.ateneoartgallery.com or at https://ateneoartgallery.com/.../call-for-entries-2024-pkl
In the 1974 book The Struggle for Philippine Art, Purita Kalaw-Ledesma and Amadis Ma. Guerrero described the Philippine art scene of the time as "a fluctuating, flexible and wide-open field" where diverse trends were concurrently explored by the artists. Kalaw-Ledesma emphasized that an artist should "never [be] in a fixed state of mind" and should always experiment with new ideas and approaches as life continues to shift beyond one's control and expectations.
In this state of fluctuation, Kalaw-Ledesma affirmed the essential role of criticism, for it points out the significance of the artist's work and efforts in experimentation to both the viewer and the artist. She stated that, without criticism, the art movement in the Philippines would not develop.
Prompted by Kalaw-Ledesma's perception of fluctuation as a realm of possibility, we seek entries anchored as criticism about artists, art works, exhibitions, projects, practices, or events that take a cue from irregular and unexpectable changes. Fluctuation alludes to the sense of unpredictability prevalent today, as intensified by war, inflation, environmental crises, technological developments, and divisive public opinions. Concentrating on fluctuation may create opportunities to reconsider the importance of art and, therefore, the role of criticism in the face of uncertainty.
For more information, visit pkl.ateneoartgallery.com or email pkl.aag@ateneo.edu
