No. 47 (2025)

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Front Matter
Kritika Kultura

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Editor's Introduction
Vincenz Serrano

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Literary Study in the Era of Artificial Intelligence in China
Fen Gao and Pengfei Zhang

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Love is a Molecular Island
Chun-Mei Chuang

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Maritime (Im)Mobility and Heterotopia: Jeju Island in South Korea
Taehee Kim

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A Decolonial Reading of the Dystopian Narratives About Feticide and Infanticide in Hindi Films
Argha Basu and Priyanka Tripathi

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In Quest of the “Sublime Paralytic”: Speculations on History, Identity, andthe Emergence of National-Class Consciousness
E. San Juan Jr.

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Neoliberal Society, Alienation, and Affective Crisis in The Answers (2017)
Xiaoxiao Huang

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A Verdant Reading: On the Agency of the Nonhuman Landscape in Apocalypse Now (1979)
Christian Jil Benitez

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Nonhuman Narratives in World Literature: An Introduction
Biwu Shang and Maria Luisa Torres Reyes

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Encountering the Non-Human with Narrative Form:J.M. Coetzee’s The Lives of Animals
Yafei Li

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Beyond the Fermi Paradox: Alien Narratives and Chinese Epistemologyin Liu Cixin’s Science Fiction
Siqi Zhao

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Making the World of Connections Visible:Nonhuman Narrative as World Literature
Zou Li

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Towards an Envisioned Human-Nonhuman Community: The “New Human”Narrative and Ethical Choice in Wang Jinkang’s The Artificial Human
You Wu

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Luck As Power: Nonhuman Game Narrative, Agency, and AlienColonization in Philip K. Dick’s The Game-Players of Titan
Kanjing He

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Pain, Pleasure, Preference: “Consider the Lobster” andDilemmas of Animal Narratives
Xiaomeng Wan

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From Clones to Robots: Kazuo Ishiguro’s Non-human Narrative and ItsEthical Implications
Minrui Li

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Rethinking Human/Nonhuman Hierarchy in Charlie and the ChocolateFactory
Xinyue Yuan

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How Should We Get Along? Non-human Narratives in Anthony Browne’sPicture Books
Hongbo Lyu

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Full Issue
Kritika Kultura