No. 32 (2019)
Front Matter
Front Matter
Kritika Kultura
Special Forum Kritika
Introduction: Kritika Kultura Special Issue on Cultural Practices and Policies in the Digital and Global Age
Patrick Messerlin and Hwy-Chang Moon
The Next Growth Strategy for Hallyu: A Comparative Analysis of Global Entertainment Firms
Yeon W. Lee and Kyuchan Kim
Accumulated and Accumulable Cultures: The Case of Public and Private Initiatives toward K-Pop
Jimmyn Parc and Hwy-Chang Moon
A New Model for Globalization in the Film Industry: Lessons from Sino-US Film Co-productions
Wenyan Yin
Strategy for the Cultural Contents Industry to Secure Competitive Advantage Using Fourth Industrial Revolution Technology
Jin Sup Jung and Min Jae Lee
Assessing the Impact of Protectionism Upon the Performance of Actors: The Case of the French and Korean Film Industries
Hee Jun Kim, Maxime Martigane, and Jimmyn Parc
From Record Contract to Artrepreneur? Musicians' Self-Management and the Changing Illusio in the Music Market
Holger Schwetter
The Fandom of Hallyu, A Tribe in the Digital Network Era: The Case of ARMY of BTS
WoongJo Chang and Shin-Eui Park
Fan Entrepreneurship: Fandom, Agency, and the Marketing of Hallyu in Israel
Nissim Otmazgin and Irina Lyan
How Industrial Policies Shaped the Globalization of the Chinese Film Industry Since the 1990s
Xiaolan Zhou
Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
Patrick Messerlin
