No. 19 (2012)
Front Matter
Front Matter
Kritika Kultura
New Scholars Forum
Discursive Formations and the Ambivalent Nation in Gina Apostol’s The Revolution According to Raymundo Mata
Jillian Joyce Ong Tan
Once Upon a Time: A Floating Opera John Barth’s Death-Defying Art of Writing
Mahsa Hashemi and Farideh Pourgiv
Kolum Kritika
Editor's Introduction
Kritika Kultura
Kahulugan, Katotohanan, Katwiran: Pagpapakilala sa Semiotika ni Charles Sanders Peirce
E. San Juan Jr.
Si E. San Juan Bilang “Interpretant”
Virgilio S. Almario
Ang Dapat Mabatid ng Planetaryong Filipino: San Juan versus Almario
Charlie Samuya Veric
What the Planetary Filipino Should Know: San Juan versus Almario
Maximino U. Pulan Jr.
Forum Kritika: A Closer Look at Manila by Night
Introduction
Joel David
Bernal as Auteur: Primary Biographical Notes
Bayani Santos Jr.
Film Plastics in Manila by Night
Joel David
The Long Take: Passage as Form in the Philippine Film
Patrick D. Flores
To Conform or Not to Conform, That is the Genderqueer Question: Re-examining the Lesbian Identity in Bernal’s Manila by Night
Libay Linsangan Cantor
Marcos, Brocka, Bernal, City Films, and the Contestation for Imagery of Nation
Rolando B. Tolentino
Manila by Night as Thirdspace
Patrick F. Campos
Literary
Poems from “The Difference Between Abundance and Grace”
Christine V. Lao
