No. 18 (2012)

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Front Matter
Kritika Kultura

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América is in the Archipelago: Mariano De la Rosa's Fíame and the Filipino (American) Novel in Spanish of World War II
Adam Lifshey

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"Sita Puts Out the Fire": Some Depictions of the Testing of Sita's Virtue in Indonesian, Malay, and Thai Literature
Harry Aveling

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Memory and the Diasporic Creative Imagination: Preeta Smarasan's Evening is the Whole Day
Shanthini Pillai

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Letting It Flow: A Phenomenology of Water in the Age of Modern Technology
Remmon E. Barbaza

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"Wedded in the Association": Heteroglossic Form and Fragmentary Histiography in Nick Joaquin's Almanac for Manileños
Vincenz Serrano

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Toward a Renewal of Critical Practice: Reflections on the Occupy Movement and Filipino Self Determination
Jeffrey Arellano Cabusao

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Opportunity and Anxiety in the Post-Apartheid Society: The South African Novel Since 1990
Peter Horn and Anette Horn

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Coetzee In and Out of Cape Town
Imraan Coovadia

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Living in Disgrace Without Term
Peter Horn

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The Specter of Tokkie—Facing the Past, Inventing the Future: Zoë Wicomb’s Playing in the Light
Anette Horn

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Dark Humor: Satire, the Baroque, and the Carnivalesque in Patricia Schonstein’s Banquet at Brabazan and Ingrid Winterbach’s The Elusive Moth
Heather Acott

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Movement, Memory, Transformation, and Transition in the City: Literary Representations of Johannesburg in Post-Apartheid South African Texts
Anne Putter

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Immersive and Counter-Immersive Styles of Writing AIDS in Sindiwe Magona’s Beauty’s Gift and Kgebetli Moele’s The Book of the Dead: A Didactic Approach to Writing AIDS
Kulukazi Soldati-Kahimbaara

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The Long and Short of It: Reflection on “Form” in Recent South African Fiction
Chris Thurman

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“Give the People What They Want”: Bodies on Display in Marlene Van Niekerk’s Triomf
Lara Buxbaum

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Road Trip
Ian Rosales Casocot

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2.5 Pasaway
Mookie Katigbak-Lacuesta