Author ORCID Identifier
0009-0002-5762-6103; 0009-0005-2574-2419
Abstract
Liu Yichang’s (刘以鬯, 1918–2018) novella Inside the Temple (Sinei; 寺内), has been widely regarded, along with The Drunkard (Jiutu; 酒徒) and Intersection (Duidao; 对倒), as one of the best representatives of Liu’s work due to its narrative completeness and unique literary style. This article explores the symbols that Liu adopts in Sinei as he merges Western stream-of-consciousness techniques with Chinese poetic language. Liu’s synthesis offers fresh insight into humanity, life, and society from two perspectives: “abstract” and “concrete.” Certain images in the novella carry an “abstract” geometric quality and can be categorized as either symbols of the “straight line” (zhixian; 直线) or symbols of the “circle” (yuanquan; 圆圈). The symbols of the straight line create a dynamic interplay between the characters and their surroundings, at times driving the narrative forward and at times obstructing the narrative, while the symbols of the circle construct a series of circular images derived from modern life experiences, serving as metaphors for the characters’ drunken dreams, the release of their desires, and their longing to escape constraints and oppression. These “abstract” symbols are presented alongside more “concrete” symbols that draw upon traditional imagery, such as the moon, which Liu Yichang imbues with new meanings. The moonlight awakens the characters’ long-suppressed emotions and thoughts, ultimately prompting acts of resistance. The moon’s presence throughout the story creates a sense of unity and resonance and adds depth to the characters’ inner worlds.
Recommended Citation
Lai, Lingshuang and Zhang, Yue
(2025)
"Symbolism in Liu Yichang’s Inside the Temple,"
Kritika Kultura:
No.
48, Article 8.
DOI: https://doi.org/10.13185/1656-152X.2204
Available at:
https://archium.ateneo.edu/kk/vol1/iss48/8
