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Kritika Kultura

Abstract

Although neither the first nor the last instance in attempting to provide a snapshot of current concerns in the issue of genders and sexualities in Asian film, there will always be a need to determine the status of female, queer, and non-binary subjects in the region. In a medium as universally “readable” (though not always as readily accessible) as film, the project acquires extra significance during a period when film practice and scholarship are becoming more feasible for a greater number of individuals.

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