Abstract
The paper aims to identify the streams and influences of protest drama in the rich theatrical productions during Martial Law 1972-1986. The focus is on the different perspectives and commitment that shaped the struggles in form and content in the plays staged by selected groups in a number of provinces in the country. The primary staging ground for discussion is the politics of the spectacle which will be traced through the different dynamics of creating a play from the staged text through the process of producing a play.
Recommended Citation
Atienza, Glecy C.
(2010)
"Spectacle! The Power of Protest Drama During Martial Law,"
Kritika Kultura:
No.
14, Article 10.
DOI: https://doi.org/10.13185/1656-152x.1177
Available at:
https://archium.ateneo.edu/kk/vol1/iss14/10
