Abstract
The paper studies Salvador P. Lopez’s position as a secular critic by analyzing his milieu during the Commonwealth period, criticism of his collection Literature and Society, and the content of essays from the same collection in light of the debate between “art for art’s sake” and proletarian literature. The theoretical framework used is Edward Said’s secular criticism.
Recommended Citation
Acuña, Rafael A.
(2009)
"The World, the Text, and S. P. Lopez,"
Kritika Kultura:
No.
13, Article 3.
DOI: https://doi.org/10.13185/1656-152x.1158
Available at:
https://archium.ateneo.edu/kk/vol1/iss13/3
COinS
