Submissions from 2024
Isabela: A Novel, Kaisa Aquino
This Is How to Mean No Harm: Poems, Martin V. Villanueva
Submissions from 2021
The Intramuros of Anak Dalita, the Looban of Manila Noir, Geronimo Cristobal and Talitha Espiritu
Agents of Place: Negotiations between Artist and Government in Philippine Public Art, Pristine L. De Leon
Implementing a Pre-Disaster Recovery Workshop in Intramuros, Manila, Philippines: Lessons for Disaster Risk Assessment, Response, and Recovery for Cultural Heritage, Kevin Macarius Florentin, Motoharu Onuki, Miguel Esteban, Ven Valenzuela, Maria Paterno, Erik Akpedonu, John Arcilla, and Lessandro Estelito Garciano
Rofel Brion Recalls and Reimagines the Creative Writing Program, Martin V. Villanueva
Submissions from 2020
Sintang Dalisay: Reminiscing from a Technical Perspective, Daniel Roan V. Cortezano
Hospital Ministry Under Coronavirus Lockdown, Geronimo Cristobal
Pushing Against the Roof of the World: Ruangrupa’s Prospects for Documenta Fifteen, Geronimo Cristobal
Avenging the Entertainer and the Comfort Woman: Japanese Theatrical Forms in Anton Juan, Jr.’s Tuko! Tuko!, Melissa V. Maramara
Lady Macbeth and Queen Gertrude, Missy V. Maramara
Submissions from 2019
The Elegant Ghost, Carlomar A. Daoana
The City as Nation: Nick Joaquin's Manila, My Manila as Nationalist History, Hidde van der Wall
A Pig Was Once Killed in Our Garage, Martin V. Villanueva
From Limbo // 250 words, Martin V. Villanueva
Submissions from 2018
Incompetent Masters, Indolent Natives, Savage Origins: The Philippines and Its Inhabitants in the Travel Accounts of Carl Semper (1869) and Fedor Jagor (1873), Hidde van der Wall
Submissions from 2017
Screen Parasite, Paolo Tiausas
Submissions from 2016
Charting the Catalog of Calubayan's Biowork, Carlomar Daoana
Literary: The Contemporary Philippine Essay - Introduction, Ramon Guillermo and Martin V. Villanueva
Longings for Manila: Projections of Imperialism and Decline in the Poems of J. Slauerhoff, Hidde van der Wall
